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7 Reasons Editors Are Not Responding To Your Pitches

Some reasons why editors are not responding to your pitches.

By Natasha Khullar Relph


One of the most common complaints writers have is that many editors are not responding to their pitches. If it’s not an acceptance, the least they can say is a simple “Not for us,” right? In fact, visit any writing forum or website and you’ll find at least one post of the “How hard is it to send a one-word rejection?” variety.

Yet, when editors do send a simple “No” in response to a pitch, they’ll often be termed rude. It is pretty harsh, after all, to send a well-researched 1,000-word idea that you thought was perfect for the publication only to hear a one-word “No” in return.

If you have a working relationship with an editor and they don’t respond to your emails, then I agree that it’s a bit out of order and you have to question whether there’s a problem.

I’ve had this happen recently and after following up and emailing several times, I basically stopped pitching the editor. Why waste my time on someone who’s not going to respond? I pitch someone else at the publication instead and hear back promptly.

However, if you don’t have a relationship with an editor, they have no obligation to respond to you. You are, after all, like any other business pitching them a service that they may or may not have a need for.

While most editors actually do respond to pitches sent their way, here are some good reasons why they don’t:

1. Your pitch is completely off-topic

You’re pitching a parenting magazine poetry or sending 2,000-word literary essays to a bridal magazine that only takes 600-word “what went wrong at my wedding” vignettes. I recently pitched a pretty heavy and controversial parenting story to magazines that pretty much only publish positive and light stories, so despite a good query and strong credentials, I didn’t hear back from most of them. (See, we all make mistakes, no matter how long we’ve been doing this!)

2. You’ve pissed them off

They don’t like your name. Your surname is the same as the boyfriend who cheated on them. You’re based in a country where they had a terrible experience. Whatever. I don’t worry about this because it’s not something I can control, but it does happen and you won’t hear back from people who have a bias against you regardless of whether or not you deserve that bias. You can’t change these people’s minds, so don’t worry about them.

3. They dislike saying no

Every now and again, people chicken out. It’s sometimes a very hard thing to say no to a talented professional you like and respect. I recently had the opportunity to be on the other side of the table and let me tell you, it was NOT pleasant. In fact, I procrastinated on sending out those emails for four full days. And I felt terrible at the end of it.

4. They’re overwhelmed with email

Again, this is something I struggle with, so I can empathize. I often let my Inbox get away from me– right now there are 86 unread emails, two of them from editors I need to get back to. I struggle with my email and I know I don’t have half the volume these editors have. If you’re constantly bombarded with hundreds of pitches a day, you can see why it would be easier to just delete them. In fact, trying to respond to each and every one would be highly impractical. I can’t imagine they’d get anything else done.

5. They don’t respond with rejections

Because of this e-mail volume that I mentioned above, some editors make it clear in their guidelines that they won’t respond unless they’re interested. This is the case with most national publications, so just treat is as a matter of course. Wait a few weeks and move on. It’s not personal.

6. Your work is still under consideration

I know writers who’ve heard back from editors months and years after writing to them, so sometimes editors stick ideas and pitches they like but can’t use right away in a “Later” folder. They might mean to respond to you or get in touch when they have a use for the story, but that may not happen for a few weeks or months, and so you don’t hear back.

7. They don’t feel obligated to reply

Again, remember, unless they know who you are and have a professional working relationship with you, editors aren’t obligated to respond to you. That many do makes them wonderful, but it’s not a requirement. So the best thing you can do is to follow-up after a certain amount of time, wait a couple of weeks, and then send your ideas elsewhere.

FREE RESOURCE:

How to Pitch: Pitching guidelines for 200+ publications

We know that finding markets to pitch your story ideas, understanding what they’re looking for, and making sure they pay an amount you’re comfortable with can be the most time-consuming and frustrating part of the job. So we’ve tried to make it easier for you.

Here’s a list of publications, organized by subject and with a note of their pay rates, each with a link to their guidelines.

Happy pitching!


Natasha Khullar Relph

Publisher, The Wordling

Natasha Khullar Relph is an award-winning journalist and author with bylines in The New York Times, TIME CNN, BBC, ABC News, Ms. Marie Claire, Vogue, and more.

She is the publisher of The Wordling, a weekly business newsletter for journalists, authors, and content creators.

Natasha has mentored over 1,000 writers, helping them break into dream publications and build six-figure careers. She is the author of Shut Up and Write: The No-Nonsense, No B.S. Guide to Getting Words on the Page and several other books.

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